ROBERT ALTMAN FOR SHORT CUTS (1993)
The competition (Cliff: 5 for 5!)
Steven Spielberg for Schindler’s List
Jane Campion for The Piano
James Ivory for The Remains of the Day
Jim Sheridan for In the Name of the Father
I need to get into the habit of promising “in the next couple of days” when I end these projects, as I seem to have a refractory period between the viewing of my very last film and writing about it. Reluctance for it all to end, perhaps? Sheer exhaustion? Or the challenge of grappling with the great work I choose to save for the finish? I suspect the latter most of all, as I keep mulling over Short Cuts in terms of everything Robert Altman ever directed and every film the Academy ever nominated for Best Director. I’m still swimming around in the world Altman created, but rather than ruminate forever, I suppose I ought to get words down and draw this quest to a close.
I’ve explained at length my reasons for saving my favorite director’s Last Great Film for the end of my Best Director project. After engaging with dozens of different directorial visions over the past month, Altman’s film seemed to have sneakily lain in wait just for me. I’d played out the movie countless ways in my head over the last several years, but I couldn’t have anticipated the moments featuring Alex Trebek, Captain Planet, or the 1960s Batman TV series that seemed to speak directly to me. Before I get too solipsistic, though, I know that these sensations were just symptoms of another rich cinematic reality Altman had put on the screen, one enmeshed in another time and place (medflies, smoking, photo kiosks) even as it connects directly to mine. Altman’s eternal project is to create a piece of reality, replete with details and hidden connections only we can appreciate but also extending far beyond the edges of the frame. As I sat down for the beginning of Short Cuts, I was struck by how long I’d gone without seeing an Altman film for the first time, and how wondrous it was to see his familiar technique moving in strange and new ways, tracing a new world to explore.